Contest Winners

The entries are in, the names are randomized, the theme songs are musical and touching and hilarious and highly personal, and now, I present to you . . . your winners!

Destiny Philipose

and

Jenny Zoss

Congratulations! (I’ll be getting in touch with you guys shortly to sort out mailing addresses.)

To everyone who participated, I want to thank you for making this a success. I’m really impressed with your entries and the depth and variety of your music (and people who chose to blog, I know I didn’t comment on the posts, but rest assured, I read every single one).

This was a great first-contest turnout, which means that we need to have a second one! (There’s something just really gratifying about giving things away, and I have more ARCs to hand out and a whole stack of sample dust jackets, and I should probably come up with some other stuff, too.)

So stay tuned, and keep your eyes open.

Little Sister Yovanoff

I’m not often decisive, and that’s a fact.

But occasionally, I’m marginally organized. This is one of those times, and I’ve decided that before we go any farther, I need to tell you about my sister.

From my junior year on, she’s with me pretty much all the time and yet, in the course of my daily notations, I hardly ever write about her. I mean, I do write about her—I write down her contributions to various conversations, or what she was wearing or funny things she’s said. If we go somewhere together, I mention that she was there.

But the thing is, I don’t study her or plumb the depths of her psyche or speculate on her hopes and dreams, because I feel like I already know her. I never feel disconnected or worry that I’ll forget something important about her, because forgetting her seems impossible, like forgetting my own name, and even though I’m a year older, as far as my particular worldview is concerned, she has never not been there.

Little Sister Yovanoff is both practical and sensible. She inserts herself into tenth grade almost without a ripple, and if she’s troubled by the boredom or the noise, I don’t hear about it. If she ever wishes for excitement or worries about who she is, she keeps it to herself.

maddy laughing

We never have poignant heart-to-hearts or confess things. We don’t tell each other our deepest darkest secrets, but looking at us from the next table or watching from across the hall, you might think we do.

From the outside, we are a united front—the Sisters Yovanoff. We can have whole conversations using nothing but eye-contact. We finish each other’s sentences. If this were a TV show, we would be those quirky, one-dimensional side characters that cult fans quote incessantly and make T-shirts of, but everyone else just kind of finds annoying.

We make up games and then play them, because it’s what we’ve always done, and because school is boring and we think arbitrary rules are funny. The games all have names like 26 Ways of Walking and Word of the Week. We have contests to see who can work nevertheless into casual conversation the most times before someone notices. We make up absurd penalties and elaborate point systems, and then completely ignore them.

I cut her hair and dye it UltraViolent Violet and buy her purple mascara.

She paints my nails glitter-pink and scolds me for improper use of eyeliner and for looking at my feet when I walk.

People are always mistaking us for neighbors, because on the surface, we aren’t even related. In fact, sometimes they think Sisters Yovanoff is just another game we’re playing—that we are best friends who like to trick our classmates into thinking that we’re relatives.

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The First Space Between Contest

What I have:

TSB ARCs!

A whole stack of shiny red ARCs, and this week, I will be giving away two. Two ARCs of The Space Between! And yes, because this is an ARC contest, sadly it is US only.*

In the past, the (rare) contests I’ve done have always been very easy—easy for you, easy for me. I’m going to keep it that way, but I have to warn you, I’m slowly becoming more ambitious so today we’re going to try something a little different.

What I’m thinking:

Daphne, the main character in The Space Between is a very earnest, very whimsical girl who just happens to come from a dark, complicated place. Which, let’s be honest, makes for some excellent theme song fodder.

Today, Daphne’s theme song is “Four Winds” by Bright Eyes, which features sincerity, a lot of Yeats-ian imagery, and an ominously upbeat fiddle. (Also, the drummer in the official video could totally be one of Daphne’s sisters. Just so you know.)

Now, what I want you to do:

  1. On your blog/Facebook/Twitter, tell me what YOUR theme song would be. Your answer can be silly. It can be shocking or heartfelt or painfully obvious. It doesn’t matter if no one agrees or everyone agrees, or if they will agree just as soon as you explain yourself. It does not matter if your theme song will probably change next week. This will be as easy or as complicated as you make it.
  2. When sharing your song, include a link back to the contest so that other people can get in on the fun.
  3. Comment on this post and tell me where I can see your answer. Make this easy on me, people. If you link to your Facebook account and I can’t see it, your name is not going in the randomizer, okay?**
  4. Do this before midnight Eastern time on Sunday the 28th. (That gives you almost a week.)

I’ll announce winners next Monday, and I look forward to seeing what you come up with!

*Sorry, international friends. I’m told that ARCs are really supposed to stay in the country where that edition of the book is going to be sold. However, it will be a different story once I get finished copies. Those can go to anyone!

**I sound so . . . draconian. But I do really mean it—please be helpful. Please.

Irish, Leaving

The way Irish gets kicked out of school is not dramatic. In fact, on the surface, it doesn’t even look like getting kicked out. But while sophomore Brenna might have accepted the circumstances at face value, held out hope or at least remained cautiously optimistic, Brenna at seventeen knows exactly what this whole situation boils down to.

He catches me in the halls one afternoon, saying my name like he’s pronouncing a new word. Like he hasn’t said it a thousand times before.

But the thing is, maybe he hasn’t, and what he says now is my real name and not some clever epithet or nickname or private joke. I stand looking up at him. He keeps seeming like he’s about to grab hold of me, and then, not.

“I’m leaving,” he says.

“What?”

“Yeah, they’re shipping me over to [the underfunded transitional school where kids go when the administration doesn’t feel like dealing with them].”

“But—no.”

The two-minute bell rings and we just kept standing there. He has his sunglasses on, so I can’t see his eyes.

He shrugs. “I’m pretty much failing everything anyway.”

“Already? Jesus, Irish.”

“So, I’ll be going next week. But I’ll be back next semester. You’re still taking American Lit, right?”

“What? Yeah, I think so. Why?”

“So, I’ll see you then.”

He says it with a wide, unselfconscious smile, like he’s promising me something just that obvious. I immediately spot the declaration for the bullshit it is. Every semester, a healthy crop of problem students gets sent to the transitional school and we’re told over and over that it’s good for them, that they need the rules and the discipline and the structure. They mostly drop out there. Or they get expelled. What they don’t do is come back.

Irish is working his sneaker against a gouge in the linoleum now. He has stopped smiling. “I wanted to tell you, is all.”

The late bell rings. The hall is empty except for us.

“I have to go,” I say, when I’m really just thinking dammit, dammit,dammit like a song.

Later, I’ll feel bad for how abrupt and chilly I was, and how he kept reaching out to take my hand and I wouldn’t let him, but right in this moment, I am so incredibly frustrated that the idea of him touching me is like a lit match. I am one step off from incendiary. I am that powder keg they talk about when referring to political climates and supermax prisons. I go to US History with my ears buzzing.

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One More Time With Feeling

Today is the 15th, which, do you know what that means?

It means that The Space Between comes out in exactly three months. Exactly. I mean, it’s like I have a calendar in my head.

I know for a fact that I wasn’t nearly so hyper-aware when The Replacement was coming out—it was too intimidating, or else, too new. I think I was in a fugue state where I just tuned it out and pretended really hard it wasn’t happening.

And now that I’m not doing that anymore? It’s honestly kind of nice. I keep finding myself wanting to share things! (And this is notable, because I am sometimes quite a bad sharer.)

I’ve said it many times, but I’m not a person who writes to silence. I can’t. I need the movement and the background noise, I need coffee shops and music and chaos. But mostly the music. It occurs to me that a lot of times, the way I choose my songs is by sorting through all the lyrics and finding parallels to the stories or the characters I’m writing about.

Okay, I know, I know—I’m constantly foisting Regina Spektor on you, but I can’t stop, because I just find her ridiculously charming, and her voice—it is so, so sweet!

This is Truman’s* theme. Or at least, one of them. Everyone gets more than one theme-song, but I’m resisting the urge to overcomplicate things, so today this is his. Because there is nothing I like better than when things are tragic and kind of whimsical at the same time.

*In The Space Between, Truman is the male lead. I would say hero, except you know me—you know about my fascination with dysfunction. You know I don’t do heroes.

Treaty of Paris

Things go back to normal.

This is the stabilizing force of the universe, the first rule of high school. For three days, everyone gossips shamelessly and compares stories and buzzes about Rooster’s impressive and bloody header into the windshield. And then, things go back to normal.

For my part, I babysit my cousins and turn in my homework and go on with my life. I still dream about the blood sometimes, but only in a cool, incidental way. I (almost) stop feeling guilty.

Rooster is absent for awhile, and then shows up one day in the middle of the week with bruised eyes and a pad of gauze taped across his forehead. He smiles and performs a little monologue for our History class on how awful it was being stuck at home with nothing to do but watch TV, how he couldn’t watch anything except the weather, because otherwise he might start laughing and any time he changed expressions, the sutures would pull and he would start to bleed through his stitches.

#4 is the only one who doesn’t even pretend to find this funny.

(Graceless transition: None of the above has anything at all to do with the next part, but I recognize that I ended on a very dramatic note last week, and I didn’t want to leave you hanging.)

The autumn of my junior year is a good season, even when it’s crazy-making or confusing. I’m steadily becoming more approachable, and even though I’m still not great at smiling, I’m getting better. At least, I’ve stopped doing the blank stare when someone tries to start a conversation. I’m delighted to think that I may in fact be turning into a real girl.

Out of the blue, people start talking to me.

I don’t mean the smalltalk or the saying hello in the halls, although there’s some of that too. I mean, they start really talking, telling me their secrets—their failures and humiliations and their crushes and wishes and triumphs and all the things that scare them.

At first, I think it’s a fluke, an isolated incident. Then, it’s two isolated incidents. Then I think I’m misinterpreting or blowing things way out of proportion. Then, it just becomes commonplace. By November, I will be dispensing advice on conflict resolution, matchmaking upon request, and helping total strangers write break-up letters.*

A quick note from the present: A few months ago, Catherine was over. We were drinking tea in my living room and being our grown-up selves, and she said, “Do you remember in school, how strangers were always confessing stuff to you? God, they used to tell you everything.”

“Why do you think that was?” I said, because it’s the kind of thing I’m perpetually curious about, and not really because I expected her to tell me.

But she surprised me, even though I don’t think she thought her answer was surprising. She just shrugged and said, “I don’t know, maybe because you looked like you’d actually listen.”

When I was seventeen, this would have seemed like an impossible reason. Simple. Reductive. Blatantly implausible. But now I think it’s the right one.

Even after I started having opinions and inventing outfits and doing a better job of smiling at strangers, there were certain things about me that just didn’t change. I was small and tentative, but resilient. Vague, but unblinking. I seemed harmless, but also unshockable. I had what my cousin M*alice once informed me was a Secret Face. And if you’re going to go out and start confessing things to someone, even a stranger, that stranger should probably be someone who looks like she can keep a secret.

Later, I was different and people never talked to me quite the same way again, but that fall, it was like my expression promised impartiality. Attentiveness. When people told me secrets, they did it like they were throwing pennies down a well.

secret facesecret face 3secret face 2

Senior year, my friend Delilah will compare me to a sphinx and I will laugh and wave her off. I will roll my eyes and smile, and secretly, in my notebook, I will worry that she’s right—that I’ve somehow built myself into a stone girl, someone impenetrable. Not mysterious or enigmatic, but truly unknowable.

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Look at These Things I Have!

1) I just found out last week that The Replacement made Booklist’s Top 10 for YA Horror. Because I have a ridiculous love of all things horror, and have wanted nothing more than to be a “horror writer” since childhood, this is basically the most excellent news ever.

2) I have real, actual ARCs of The Space Between, and this week, I’ll be giving one away over on Merry Fates.

Space Between ARC!

We’re having a prompt contest, and also a very important announcement about the future of the Merry Fates blog, which you can see here.

3) Also, this is semi-related to point number two, but my sample dust jackets for The Space Between came in the mail today and they’re really, really pretty—covered in embossing and a metallic effect that looks like steel or antique silver, and I can’t stop touching the filigree because it’s bumpy.

There aren’t finished copies yet, but for the sake of having a good solid visual aid, here is a hardback of The Replacement wearing a dust jacket that does not belong to it:

TSB dust jacket 3

And the back flap:

TSB inside flap

This book is getting so real, you guys!

The Accident

This is not going to be a funny story.

I mean, yes—if I tried hard enough, I could probably think of a way to make it seem clever or ironic. But that would be a cheap thing to do, and while I’m shockingly up-in-my-head sometimes, and too glib (inappropriately sardonic), I am not in the business of cheapness.

I don’t have a written account of what happened, and in a way, I’m glad. When you write something down, it’s like that version becomes the official one. It starts to eat away your memory and whatever you left out will slowly disappear, until all you have left is what’s on the page.

So, I remember the little things because I didn’t write them down. And other things I’m almost sure of. I think it was a Friday. I think they were both wearing white T-shirts, but I couldn’t swear to it.

Here are the things I remember:

We were standing in the bus circle, waiting for route 38 to come and take us home. In two weeks, Irish would get expelled and I would not be devastated, or even very surprised. I remember that Irish was smoking, which he wasn’t supposed to be doing, so we were standing strategically, Little Sister Yovanoff and I positioned in front of him, arms linked, while Irish cupped the cigarette in the palm of his hand so the security guard wouldn’t see.

It seems important to point out that in this moment, I was really, really happy.

So happy that I was actually thinking about how happy I was, arm-in-arm with my sister, discussing John Steinbeck and watermelon gummi-O’s and whether or not I should grow out my bangs. (We decided yes. Which is good. Because they were really terrible).

Her hair was dyed a purple so purple it looked black. Mine was summer-bright, strawberry-and-caramel. We were like this perfectly mismatched set—her, and then me. Rose White and Rose Red. We were like this idealized version of us that only ever really existed in pictures.

me high schoolmaddy high school

In my head, I was making up a fairytale, how we went on an adventure. I was thinking how glad I was that we were related but didn’t look like it, how easy that made everything. How strange it was to be standing outside with your sister and a boy who used to tell you all the time that he was your made-up brother and now he only talked to you when none of his cool friends were around.

Little Sister Yovanoff and I leaned against each other, laughing at Irish’s jokes, at the plume of smoke drifting up from his hand. The sun was so bright and the grass was so green that for weeks afterward, I kept dreaming about it.

Here is what happened next:

They came across the parking lot together. The other boy, Rooster, was much bigger, and the way they were hanging onto each other, it was hard to tell who was holding up whom. Except Rooster had a hand against his face. He was putting most of his weight on #4’s shoulder, and every time he stumbled, I thought they would both fall.

And still, no one really noticed. No one looked at them, not really, not even me. (Before this happened, I’d always been so unshakably sure that I saw everything.)

We kept talking, quoting lines from Tommy Boy and debating the usefulness of the word “circumambulate.” Little Sister Yovanoff was teasing Irish about the cigarette, pretending she would slap it out of his hand.

Then #4 dropped Rooster on the grass in front of us and straightened up. His T-shirt was splattered red.*

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Here is Where I Get Technical (even though I don’t know what I’m talking about)

Okay, so.

As some of you may have noticed, things were kind of . . . broken around here last week. Not just for me, but for Livejournal as a general thing.

As is my nature, I spent an unreasonable amount of time and energy obsessing over what I should do if things weren’t back to normal by Monday (i.e., today), and what I should do if outages continued to happen in the future, which—let’s be honest—they might, and what is the absolute best thing to do about the whole situation. And the conclusion I arrived at is that things are probably going to have to change.

This is very difficult, because I hate change.

However, with the help* of my trusty internet-wrangler/husband, I’ve** figured out a way to do what needs to be done, while simultaneously changing things as little as possible.

What’s going to happen is this: I’ll be moving everything over to wordpress.com at the beginning of next month.

This is the sad part, because I really don’t want to leave you guys behind. (D laughed at me when I said that, and pointed out that this is the internet and it is not like I’m moving to some other country.)

The blog on WordPress will look like this blog and work like this blog, and eventually I’ll delete the entries over here or make them private.

Now, the part where things actually change very little: If all goes well, I’ll be able to syndicate my new blog to Livejournal, which means that all you have to do is click a button and I’ll show up on your friends list. Just like always.

When I found this out, it was a big relief, because as I said, I hate change and this magical-syndicated-button-thing gives me the illusion of things staying exactly the same.

Which I like. I like it when things stay the same.

In other news, because of the outage last week, I couldn’t post Thursday’s high school post, so I’ll have that for you later this week.

With pictures.

*And by help, I mean that he did any and all work involved.
**See the first item.

Dreams (the nighttime kind)

You know what?

Something really interesting just occurred to me.

(Yes, I do realize that roughly 75% of all my conversations start this way. No, that’s not the interesting thing.)

So, I’m currently working on the first draft of Paper Valentine, and when I woke up this morning, I had the startling realization that I’ve never dreamed about the story.

Typically, I’m a big dreamer (when I’m not busy being a huge insomniac). I have vivid, complex dreams every night, and I tend to remember them. I like them.

When I was finishing up The Space Between, I was dreaming about it all the time—almost every night. I dreamed that I was sitting at my desk, frantically writing it, and I dreamed that I was walking around in its shiny made-up world, checking out the set design and asking the characters who they were and what they wanted.

I went through the same thing when I was writing The Replacement—a lot of nights chained to a dream-desk or wandering vaguely around the House of Mayhem, looking at all the cool stuff.

Anyway, this occurred to me, and my inner-monologue immediately kicked in with its neurotic stream of chatter, mostly in the vein of: But I dreamed about my other books! If I don’t dream about Paper Valentine, does that mean I don’t love it as much as the other ones? I mean, I think I love it, it feels like I love it, but what if I’m wrong? I want to love my books! Why don’t I love this one enough to dream about it?

And then I said, “Shut up, neurotic inner monologue!”

(Just so we’re clear, I do not typically tell people to shut up. I think it’s rude. However, I tell my interior monologue to shut up all the time, because let’s be honest—she often needs to hear it.)

Now, here we come to the interesting part:

The dreams I had about my other books? The bright, vivid ones, that totally robbed me of restful sleep and also made me so unwaveringly sure that I loved those books?

I realized just now that I dreamed those dreams while I was revising. They were all dreams about problem-solving, refining, measuring the existing space for furniture and carpeting. (Metaphorically speaking. The House of Mayhem has no carpet.) They were not dreams that happened while I was busy inventing.

And that is really excellent, in a clear-cut, science-y way, because I love that I’ve discovered a pattern in myself. (Often, I am chaos theory on wheels. I am the butterfly effect. I am ill-defined. I am endless extrapolation.)

I love that I’ve accidentally defined a parameter and that my personal writing process has just become a little bit more demystified.

But not too demystified. Because of this realization, the process is now simultaneously less and more mysterious. Which is the hallmark of a thing that may in fact be unsolvable.

Which is good, because believe me—there is nothing I love more than a good unsolvable.

Do you dream about your stories? Do you remember your dreams? If you usually dream about your stories, and then you don’t, do you have to slap your inner-monologue in the face and tell it to get ahold of itself?

(That last one might just be me.)