UK Cover + Zombies

Maybe you’ve seen it floating around the internet—I know I have! Which means, I am tragically late to the party when it comes to revealing . . . my UK cover!

ReplacementUK

The Replacement will be out in the UK in original paperback in January, 2011, and will feature—as you see here—a hot guy on the cover. I wrote a book with a hot guy on the cover! Let’s sit with this a minute. Because it pleases me to an immense degree. And comes with a weird sense of accomplishment I can’t explain. But which is nevertheless quite satisfying.

Also, in other news, my near-future, mid-apocalyptic zombie story “Obedience” is featured on Fiction Daily today. You can find it under the Genre heading by clicking on the words not strictly cannibals. Of course, you may say. Of course you can.

THE REPLACEMENT—now portrayed in visual media!

At long last, I have official permission to share my cover, so I present to you . . . my cover!

This is for the ARC, so font, text, what-have-you is entirely subject to change, but when it is a book, it’s going to look a lot like this, and let me tell you, I am absolutely thrilled! It satisfies all my creepiest, most atmospheric cover-daydreams, is totally ominous, and yet has just a dash of whimsy.

What I’m saying is: this is my kind of cover.

It was designed by Natalie Sousa and photographed by Jonathan Barkat and I’ve never met either of them, but I look at this cover and make wild speculations about how freaking cool they must be!

ARC Front

I am one happy girl.

Super-Duper Top Secret (or, Merry Christmas to Me)!

So, I’m probably not even supposed to be talking about this, and I certainly can’t share details, descriptions, or an actual visual representation yet, but I just got the cover mock-up for THE REPLACEMENT and . . . I am in mad, passionate, dancing, squeeing cover-love!*

Yes, I realize how useless it is to describe seeing something when I can’t actually describe the thing I’ve seen—but my joy can’t be contained! The cover completely captures the spirit and tone of the book and I absolutely cannot wait to share it with the world! But I will. Because I have to. For now. (cue ominous music.)

*cover image available the nanosecond I’m given permission to share it

Agent Appreciation

Over at the , (The DUFF, Fall ’10) came up with a great idea: Unofficial Agent Day.

For those who don’t know (mostly because I’ve been very remiss in actually talking about how I acquired an agent), I’m represented by Sarah Davies at the Greenhouse. And let me just say, I am a weird, flighty girl in need of some fierce grounding, and she is a perfect fit.

Before she became an agent, Sarah was the publishing director of Macmillan Children’s UK. Meaning that in addition to having an unparalleled knowledge of the business, she’s what’s known as an editorial agent. And also British. Sometimes when she calls, I like to pretend that I’m talking to Adelle DeWitt from the television show Dollhouse. Yes, I really am that nerdy.

There are so many things that I love about Sarah—she’s competitive, focused, but she’s also compassionate. And patient. She took me on in September of 2008 and my book didn’t even go out on submission until May of 2009, because one condition of representation was a pretty big revision. When I said she was an editorial agent, I actually meant genius.

I realize now that I never did get around to talking about The Call, so here is an abbreviated account:

I’d been making a sort of general effort to be more methodical, so when my YA manuscript was ready for submission (or so I thought), I sent out an initial round of eight well-researched queries. Right away, I started getting requests for partials and fulls, which only served to further my conviction that the book was ready.

Then Sarah called me out of the blue one day, just as I was about to leave for the airport, and told me that she’d finished the manuscript and wanted to talk about it. After behaving like an inarticulate loon, I got it together—mostly—and we talked about the book. We talked about everything that needed work and everything that was poorly-developed and confusing, and by the end of the call it was clear that what I’d written needed a lot of work and the only solution was to do a comprehensive revision.

Then, I put my suitcase in the car, got on a plane, and went to a wedding.

A few days later, I got another offer of representation from an agent I’d been coveting for a long time. The second agent was very enthusiastic about the manuscript and only suggested a few minor changes, after which, it would be all set to go out on submission. But all the things Sarah had talked about had taken root in my head, and the previously-ready manuscript didn’t seem so ready anymore.

At that point, there were still several agents reading. In an uncharacteristic display of resolve, I sat down and pulled the manuscript from consideration. Because I knew right then, unequivocally (and those who know me will appreciate how exceedingly rare that is), that I wanted Sarah to be my agent.

Were there times during the Big Revision that I was tempted to yank my hair out? Yes. Did I drink more coffee than is decently good for anybody? Again, yes. Did I ever, at any point, kick myself and wish I’d gone with someone demanding less work? No, I did not. Because the entire time I was drinking coffee and despairing, I never doubted that Sarah was absolutely right about everything.

She helped me overhaul my book, then shepherded me through the whirlwind of an auction that was a direct result of her hard work as an agent, but also as an editor. She assuages my fears, answers my questions, and always keeps me informed about what’s going on.

Sarah Davies is my agent, and she is absolutely wonderful.

Flailing in Briefly to Say . . .

. . . line edits are almost done, and I have a new title!

My book, coming next fall from Razorbill, is now quite aptly called THE REPLACEMENT, and here is the summary:

Mackie Doyle seems like everyone else in the perfect little town of Gentry, but he is living with a fatal secret – he is a Replacement, left in the crib of a human baby sixteen years ago. Now the creatures under the hill want him back, and Mackie must decide where he really belongs and what he really wants.

Also, it is a love story. Just so you know.